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Meet the Newest Giraffe at the Greenville Zoo
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On February 21, the Greenville Zoo's giraffe, Autumn, gave birth to a sweet little girl. I finally got a chance to visit her on March 4. Below are some pictures and a YouTube video of my visit.
If you look closely in this one, you'll see that the calf has inherited what I like to call Autumn's bowtie. All of her calves have had a similar spot arrangement at the base on their neck.
Like Mother, Like Daughter
Nursing for a short moment
Voguing for the camera
My favorite photo so far
Video
Now that you've seen how cute she is, check out this video as I arrived at the zoo and saw this cutie for the first time. You get to see the whole giraffe family and this little girl doing some zoomies.
When you write about character's of different races, how do you describe their skin tone? If you've never thought about this, then consider this question: How do the authors you read described persons of color? A few months ago, I attended a webinar about writing diverse characters. The guest was Eliana West of Writers for Diversity . The information she shared felt fresh and valuable, especially related to describing a character's skin tone. I get really tired of seeing African-descended characters described in terms of the goods that drove, and still drive the slave trade--coffee, chocolate, brown sugar. There's some weird psychosocial baggage attached to that. -- N. K. Jemisin As this quote from author, N. K . Jemisin , indicates, historically, writers have described people of color using food-related descriptors. Many people of color find this offensive. This surprised me, at first, but she has a point, especially when you view it through the quote above. My fir
In my last post, Character Development: the Johari Window , I introduced the Johari Window as a tool for developing your characters. It's important that your character not know everything about their situation. These unknowns can lead to an intriguing story and create possibilities for conflict within the story. How do you use the Johari Window? In this post, I thought I'd provide a simple example of the Johari Window with a character most people know: Harry Potter. Below, I have filled out the Johari Window as it might appear within the first few pages of book 1, Harry Potter and The Sorceror's Stone . The Johari Window based on Harry Potter and The Sorceror's Stone Three of the quadrants in this window reveal what Harry doesn't know about who he truly is and what happened to his parents. I could add a lot to the quadrants representing what he doesn't know, but I hope this gives you an idea on how a Johari Window might be used. What do you d
Courtesy of Morguefile.com I've been focusing my posts on workshops and panels I taught or participated on at the Imaginarium Convention. Although this serves as a poor substitute for the real thing, I can share some highlights. This week, we're going to explore dialogue punctuation. The first thing writers need to learn is how to properly punctuate dialogue. I've discovered, over the years, that many don't know how. Notice in the first example below, the dialogue starts at the beginning of the sentence, and the speaking tag (he said, she said, Paul said, etc.) follows it. A few points to notice: The first letter of the quotation is capitalized. What the person says is a sentence, so it must be capitalized. A comma comes directly after the quote and INSIDE the quotation marks. You can, also, have a question mark or exclamation point here. There is a space AFTER the closing quotation mark followed by the speaking tag and a period at the end of the sentence. In the next
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